SEA STATE 6: capsize, 2015, digital film still, single-channel HD digital video, 7minutes. Courtesy of the artist.
SEA STATE 0: all the lines flow out, 2011, digital film still. Courtesy of the artist.
SEA STATE 2: as evil disappears (Sajahat Buoy), 2014, detail. Courtesy of the artist.
SEA STATE 6: phase1, 2015, film still. Courtesy of the artist.
SEA STATE 8: THE GRID, 2014, detail, prepared GSP1 chart, published by Maritime and Port Authority of Singapore. Courtesy of the artist.
SEA STATE by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion for the 56th Venice Biennale and curated by Shabbir Hussain Mustafa, will be presented at the NTU CCA Singapore from 30 April to 10 July 2016. For over a decade, Lim’s ongoing project SEA STATE examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea. SEA STATE is an in-depth inquiry by an artist that scrutinises both man-made systems, opening new perspectives on our everyday surroundings, from unseen landscapes and disappearing islands to the imaginary boundaries of a future landmass.
First held at the Palazzo Franchetti on the occasion of the Singapore Pavilion at the 56th Venice Biennale, the symposium The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context will continue and expand upon the debate with a second iteration at NTU CCA Singapore during Lim’s exhibition on 17 and 18 June 2016.
The presentation of SEA STATE and the symposium The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II held at NTU CCA Singapore are generously supported by the Ministry of Culture, Community & Youth, National Arts Council Singapore and the Singapore Tourism Board.
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