In this four-and-a-half-hour documentary or filmic travelogue, Ulrike Ottinger imparts new ways of seeing a foreign culture. Divided in three parts, the film depicts everyday life in Beijing, Sichuan, and Yunnan, being highly sensitive to detail and allowing the viewer to follow Ottinger’s journey almost without commentary.
This screening is specially arranged to provide the opportunity for the audience to experience the work as a full film instead of the divided version installed in the exhibition space.
Initially a painter, Ulrike Ottinger (Germany) came to filmmaking in the early 1970s. She furthermore produced operas, several theatre plays, and radio dramas. Her films have received numerous awards and have been shown at the world’s most important film festivals, as well as appreciated in multiple retrospectives, including Rio de Janeiro International Film Festival (2013), Centre Pompidou, Paris (2010), Museo Reina Sofia, Madrid (2004), The Museum of Modern Art, New York (2000), and Cinémathèque française, Paris (1982). Her work has been featured in major international exhibitions such as Documenta (2017, 2002), Gwangju Biennale (2014), Berlin Biennale (2010, 2004), and Shanghai Biennale (2008). Recent solo shows include, among others, Johanna Breede Photokunst, Berlin (2015, 2013), Sammlung Goetz, Munich (2012), Haus der Kulturen der Welt, Berlin (2011), Neuer Berliner Kunstverein, Berlin (2011), and Witte de With Center for Contemporary Art, Rotterdam (2004). Major monographies include Ulrike Ottinger: World Images (2013), Ulrike Ottinger (2012), Ulrike Ottinger: N.B.K. Ausstellungen Band 11 (2011), Floating Food (2011), and Image Archive (2005). In 2011, she was awarded the Hannah Höch Prize for her creative work, and in 2010 honoured with the Order of Merit of the Federal Republic of Germany.